Thursday, December 26, 2013

Writing Locations

Recently I saw Love Actually - as I'm sure many others did in the lead up to Christmas, and I loved it, but every time I watch that movie my favourite scenes are Colin Firth's, and his villa in France. As a writer, I look at it as the perfect retreat to sit and write, and he even uses a typewriter!
I wish I had a similar kind of get away, but I can say I love the idea of having different, beautiful places where I could retreat to merely to write, particularly with all the distractions and available procrastination opportunities available in everyday life.
My biggest question would be if the character had internet connection there, or even electricity, because in my mind he doesn't. Today between internet distractions like You Tube and social media, a forced detachment from the online word might be exactly what many writers need.
In a beautiful place like that I hope I would be able to sit and write for hours. However, on the flip side, I fear I would spend more time on scenic walks and daydreaming. Scientific studies, however, have also suggested that different and interesting environments are actually very beneficial to attaining focus and concentration in your work.
In any event, it is a beautiful place, and one I would love to live in and write in one day.

Tuesday, December 17, 2013

Reading Gizmo

I saw this on Facebook, and thought it very appropriate to show on my blog, it would either be the greatest thing in the world, or really annoying to get used to.

Sunday, December 8, 2013

Creative Writing Group

Great news, I'm starting up a creative writing group in my local Town of Gawler!
It starts in January and will go for four sessions as a trial run over the Christmas holidays, people can come in and share their work, ask for advice, have coffee, talk, or just sit back and record a few notes.
Hopefully this will be a really fun and casual group to help motivate and inspire young writers, if nothing else, it's got a cool promo!


Tuesday, December 3, 2013

Book Review

I recently read a beautiful American book called Three Cups of Tea, it is a brilliant non-fiction that fascinated me. If you are interested in Islam, the Middle East, and how education can help a society help itself, this is an excellent book that looks at the issues and misconceptions surrounding the Middle East.

It follows the work of Greg Morrison as he sets up schools in Pakistan, making it highly relevant in to political issues still occurring today. The writing style is detailed and political -sometimes reading like political journalism, and can be hard to follow, but for he most part is a pleasure to read being interesting and often suspenseful in its story. Often it is also emotive as it allows you to sympathise with people we in the western world often have little insight about.

If you do become interested in the politics and work described in the book, donations can also be made to the case.

Monday, November 25, 2013

Words and Feminism

I found this on Facebook and thought it a perfect example of the power of words and their influence in our culture.
Enjoy -
Joss Whedon - Feminism

Friday, November 22, 2013

Creative writing group

Hey,

I'm thinking of starting a creative writing group in Gawler for teenagers and young adults. So I'm putting it out there, what sort of things would you like to see in a writers group? What days are best over the summer holidays? And any other ideas you think might work.

Thanks!
Meg

Sunday, November 10, 2013

More Graphology

Okay - know it's been a while, but to make up for it I've done a little more research on Graphology.
I've learnt a few things, one being that if someone's writing gets smaller as they write it is a sign of intelligence as they are able to become more focused and concentrate harder the longer they write.
Also,
  • angular writing is a a sign of aggressiveness
  • people with larger handwriting are often more outgoing
  • starting a words with a larger letter indicates tact
  • long upper strokes indicates imagination e.g.-

Note these facts were taken from online previews of boodle books - 

What Handwriting Indicates: An Analytical Graphology By John Rexford and Graphology  By Ruth Gardner


Monday, September 23, 2013

Shadows Land

Hi everyone,
Sorry, due to the madness that is year 12 I have again been away for a while, however as a result of this difficult high school time I have got a few creative products of my work to share with you including the video below, Shadow's Land.
The video was my drama individual study, which I chose to do over the group performance, aka I was a bit mental. This has taken me blood, sweat and tears to complete, but it was worth it. Note, though the work, settings, and ideas are all mine, the music on this video was not, I give credit to Roberto Jonata and The Piano Guys for their wonderful compositions.

Tuesday, June 11, 2013

North and South

Hey, sorry I've been away, year twelve lives up to its name, free moments are hard to come by. However, I recently did manage to both read the book and watch the series North and South.
As a book first off, I loved it, the story is brilliant in how each character, whether major or minor, plays an intricate and crucial role in the story's plot,  however, I will admit, I think I liked the ending in the TV minnie series better.

The entire series was well acted and entertaining, and remained faithful to the book in most key areas. Though the ending was changed for the seres, I found immensely powerful and well done, perhaps one of the best romantic scenes I've ever seen. It's not often that a film production rivals it's book, but this series definitely did it well.

Often I find seres done on old classics either too modern in that they are unfaithful to the book, or quite accurate but not visually interesting, but I think this series balanced it quite well. Therefore, if you like old fashioned romances, like Jane Eyre or Pride and Prejudice, I highly recommend both the book and the seres.

Monday, May 6, 2013

Word Videos

On Face Book Ted Videos recent recently put up a link. Several fascinating talks and lectures about words, language and literature, I figured this was something I had to share.
So please enjoy!

Tuesday, April 30, 2013

Personal Post

Its been a fun week for me this week. Back at school, and trying to get good grades in year twelve while fighting a Science Fiction addiction and keep writing. Currently I am working on turning my novella, Space Bird into a full length novel. So right now my head is filled with tall white snowy creatures, flying whales and the challenge of trying to achieve the perfect masculine-feminine balance in a proud alien hermaphrodite (some sneaky advertising there).
The problem (or benefit) is that my stories keep bleeding into whatever shows I'm currently watching or books I'm currently reading until they become a strange, elaborate fan fiction. I won't go into details, but the truth is it has helped me develop further interest in my own stories, understand my own characters and come up with new ideas by exercising my creativity this way. So in all it has been a very imaginative and enjoyable inside my head this week. Currently I am still trying to come up with a new name for the story, Space Bird isn't quite working for me - wish me luck!

Tuesday, April 23, 2013

Graphology - update

In my very, very limited research Google books has pointed out a few interesting facts about Graphology -

  • It has been studied for a long time, possibly back to 1000 BC in ancient China, Aristotle and Shakespeare also made reference to graphology
  • basic analysis can seem like common sense - example: a timid person as a timid handshake and timid handwriting to suit.
  • Interestingly, more distinguished characters apparently frequently write with very 'bad hands' - I take this to mean that messy handwriting can be a sign of distinguished character?
  • Gender cannot be told from handwriting (though can be told by the language - Thank you Criminal Minds)
  • Your handwriting will usually reflect your mood
  • Each aspect holds different indications - 
    • The shape of the letters indicate intellect
    • slope shows affections
    • the more punctuation the more care they have
    • flourishes indicate showiness
    • connections indicate logic
  • The loops in a letter G can indicate social abilities, example, small g loop indicates being socially selective, while a large g loop indicates they greatly enjoy and indulge in social company.
These are the first of my rudimentary notes on graphology, please not this was done for fun and taken from online books, Graphology - the Art of Handwriting Analysis by Julian Moore, 

What Handwriting Indicates: An Analytical Graphology by John Rexford and The Five Minute Therapist.

Wednesday, April 17, 2013

Quick Link

You know how some places are designed to feed off the weakness of literary obsessives? Please enjoy -
http://www.theliterarygiftcompany.com

Friday, April 12, 2013

I am so pleased! This weak I finally finished Leo Tolstoy's Anna Karenina, an eight part classic novel that's taken me four-five months to read.

This book is a heavy read, I needed frequent breaks as I went through, I even stopped to read White Horse, The Grimstones and The Female of the Species in between. But looking back on it, it is an incredibly detailed documentary of human interaction and emotion, with some massive drama and suspense. However despite  being called Anna Karenina for a while it seemed that Levin, a farmer character, was centre of the book rather than her. Much of the book was centred on his farming or courting or questions, though most of the characters were explained, he was especially privileged. But all the characters were so detailed in their thoughts and feelings, you could see the faults virtues in them too completely to idolise any of them, or hate most of them (there were a few exceptions on this point for me). All in all I'm very glad I'm done - now I can watch the movies.

Saturday, April 6, 2013

Music Video

I'll Forget You - Music Video
Sia and Lior


Recently I've been doing work on short films and shadow puppetry in drama and this caught my eye. It may not be strictly literary art, but it is wonderful, creative and inspiring art none the less, and the song is beautiful. The puppeteer is, I believe, Stephen Mushin, and his craftsmanship is gorgeous, so please enjoy!

Thursday, April 4, 2013

Fog


Disappear into that fog, you will
and that entanglement of trees,
loose yourself then dare yourself
to cast a stone into that still stream.
Leap into that wind you feel
to be the floating feather,
face the winds, and trial.
To live life as is preferred
to start again, anew,
and come back from that fog,
you will,
for I can see it in you.


- edited from the original in A Castle in the Mirror, my official anthology.

Sunday, March 31, 2013

Writer's or Reader's Nails




I found this and thought it was the most wonderful thing I had ever seen. I barely look after my nails at all but I tried this twice. They didn't work nearly as well as this but I  might try again some day.

Thursday, March 28, 2013

Publishing and Getting Noticed

My new advice for people who want to publish - enter competitions.
I recently won the state selection for the somerset national novella competition, and as a result my love of writing has doubled and my confidence as a writer has been reborn. Thanks to this experience I'll have a contact at penguin who's an editor and can look at my work, and even if I hadn't won, writing that novella was a great experience.
Competitions are a great idea because getting yourself noticed over other authors is really all you want. You want a publishing agency to look at you and see someone who will put in the effort to make the book sell (and that's a fair bit of effort, I assure you). So you do have to prove your persistence and passion for writing for them to want you. Competitions are a great way to show this, practice your skills and try out new ideas, and they provide a reason to write (who doesn't love that?).
Because of this novella competition I got to attend the Somerset Literary festival, and there got so much wonderful advice from many authors, like sending in work to literary magazines, or never selling your copy write and using Twitter and Goodreads to build a platform for yourself and your work - a process I am steadily making headway on.
Just attending literary festivals is a wonderful thing, and you can ask the authors themselves what they did to get themselves published. Even if entering competitions and going to these places don't get you noticed, they will help build your skills and help you become a better writer. That, and honestly, the festivals especially, they're a lot of fun.

Happy Writing!

Tuesday, March 26, 2013

Graphology

graphology |graˈfäləjē|nounthe study of handwritingfor exampleas used to infer a person's character.Linguistics the study of written and printed symbols and of writing systems.

I would love to learn this skill. The ability to understand your own or another person's mood or elements of their character by their handwriting sounds like a great ability. Using it when ever someone passes you a note in class, just being able to pick up on tiny details like that - it sounds like something Sherlock would do ;)
If I ever find myself possessing free time again, this is the next thing I want to research, and I'll be sure to post little notes about it on the blog!

Monday, March 18, 2013

Poetry about Hands


For poetry out loud - shout out to my old English teacher for showing me these videos.

Monday, March 11, 2013

Purposes of Writing

A while back I met an astute woman named Amiee who was doing work on a documentary. We talked about writing in romance books and then the purpose of writing in general. I came to realise that a lot of people look at it is as pure escapism, and some writers only write to get away from this world. If that's the case then is there no other point to writing?

I know from some of the wonderful people in my life and from my own experiences with writing that many people know literature is far richer than that, so this made me want to share what other purposes I believe story telling has held, throughout history and in times today, and what in particular I use to give my writing (I hope) value.



picture source

reading and writing stories has always been imperative in the development of morals in youth. Fables and fairy stories, though sometimes grizzly, were often intended that way to teach a lesson. Example: in Sleeping Beauty originally she was raped and only woke from her deep sleep after giving birth. Not the happiest story, but it was there to teach young girls that they can't always afford to be innocent and must be careful and aware of the world around them, they can not spend their youth 'asleep.'

These are the skills we're taught in school. Finding these messages are important to our cultural development. When we look at some texts we search for themes, messages and motifs. What is the author trying to say?

In my own work I try to communicate questions I have about this world and bring my readers around to question some of the things they might have taken for granted, but in other matters I also use them as tools for myself and my own development, and I hope that by doing so I'm creating further tools for others. I look at exploring new character types, and different methods of being, to gain an understanding of how other humans might think and to explore how I myself as a person would like to develop. I try not to live through my characters or make any single character exactly like myself because I want to explore aspects of personality that I don't or haven't explored in the real world.

For that reason, though I love escapism and the sheer beauty and pleasure that comes from reading and writing, I hope most people realise that such things only scratch the surface of what writing can do.

Saturday, March 9, 2013

Tuesday, March 5, 2013

The Destroying, Part 3


* The City, Above and Beneath

A young boy with dull brown hair smiled back at her through a small ornate black gat in the wall.
“Hey, having fun?”
Timothy was the apprentice timekeeper for the train station and with his grandfather, the master timekeeper, his job was to see through most the working machinery in the train-station, in particular the clocks. Back when Inna was still new to being a stray he had seen her scavenging in the hall an pointed her out to his grandfather. Unfortunately his grandfather had then had gone straight to the security guards to report her and Inna had struggled to  keep out of the clutched for the rest of the day. Later when Timothy had found her again he had explained and apologised for his grandfather and they had been friends ever since.
“Naturally,” she replied, answering his question.
“Well thank god for that, I was getting bored in here on my own, you want to come in?” he invited.
Inna hesitated, Timothy lived in the train station’s tunnels and access passages to tend to the clocks but she rarely got to see them. His Grandfather was too unpredictable and they had no way of knowing if he would catch them.
Timothy sensed her hesitation and smiled, “Grandpa’s not here,” he informed her, “he's gone. I figured you’d like to take a look around while we have the chance.”
Inna smiled and her eyes sparkled, “Sounds like fun.”
Inside they roamed in the darkness, Timothy looked back over his shoulder, “Grandpa had to leave for family business,” he explained, “so I’m in charge of the clocks while he’s away.”
“Nice, a challenge for you then?” she called ahead.
“I love it, but it’s my first day on my own, hence you can help me out," he teased, he knew Inna didn't know a thing about clockwork, but she was happy to learn. “I saw your spat with the guard earlier,” he noted, climbing up a set of stairs.
“Oh?” she asked, following after him “I was only trying to be friendly, I don’t know why he got so upset.”
“Yeah, it's not like the punch to the ribs could have offended him at all.”
She smiled at his sarcasm, “Can’t see why it would have.”
It was a little dark inside the passageways. Dark but cool and enclosed. Timothy took her first through to the medium clock that overlooked a restaurant and café hall. He clutched her hand and guided her up to see. Through the number holes in the clock face she could see out over most the hall. It was fantastic, she could see everyone but not one person saw her, despite looking her way often to check the time.
She looked over and took in a bit of the picture. An elderly couple, a woman in medium blue and a man in a suit, were being guided to a table by a young waitress about twenty-three years old and caramel hair. She then noticed Yumie in the crowd, Well aren’t we all for bumping into each other? she thought,  Although it does tend to start with a one way meeting.
She turned to Timothy. “So,” she smiled, “How do you wind this thing?”
He smiled back and started to demonstrate the procedure. Winding the clock with the massive handle and checking it according to his own pocket watch, he then had to check each part to see everything was working and no bits needed replacing or mending. Then that clock done, they moved on to the next one.
At the next clock she was able to help. It was huge and heavy, so she took on some of the weight and helped him wind. They moved from clock to clock, Inna mentally outlaying the routes and layouts of the passageways. After three more clocks Timothy took her hand and led her up another set of unfamiliar stairs.
They were already pretty high up in the station, they had taken two flights to get to the latest clock. As they climbed Inna saw light coming through the gloom. The passageway was drawing to an end and as it did so she couldn’t help but feel excited and curious thinking of where Timothy might have bought her. Then they started to emerge. Light temporarily blinded Inna as they came out onto flat flooring, it took her eyes a minute to adjust, and only then could she take in where she was … and what she could see.
It was a clock, a huge clock, but it was also glass and transparent, and through it she could see the whole city. The view was fantastic. She could see all of it, and even though the state the city was in was less then fantastic, from where she was it was awe inspiring.
Timothy held out a hand to the view, “Check out our city.”
Inna walked forward to soak up the magnanimity of the view. True, it was foggy, a cloudy day in the city, but she felt illuminated in light, and wanted nothing more than to soak up every drop of it.
A few minutes later she and Timothy had sat together in the clock/window area to gaze out at their leisure. Timothy, having come prepared bought out two cookies and handed one to Inna, turning the scene almost into a modest picnic. She bit into her share of it gratefully then looked up to see Timothy gazing at her.
“What?” she asked casually.
He shook his head, “Nothing ... you just look really nice.” He shrugged.
Inna cocked her head, confused, and looked down at her outfit. Dark green, almost black pants, and white top with short sleeves, she didn’t have much else. Not practically glamorous clothing.
“It’s the light,” he continued, “I’ve never see you in the light, it’s weird to think but you look different.”
She considered this and looked back up at him. She could see it too; he looked different in the light. His face, it seemed easier to look at, more definite. They’d never seen each other outside the train station, and inside they usually only met in the gloomy shadows.
“Mmm, you’re right. I mean, I’ve only seen you in those tunnels and round the station, but yeah, the light does make a difference.”
He shrugged his shoulders and looked out again at the city. “This place isn’t running to smoothly,” he commented. “The city, I mean.”
She looked up at him curiously.
Timothy shrugged, “It’s true, I see the articles in the paper my grandpa gets, they try to only report the good stuff, to keep people’s hopes up, but they still have to report the facts. There’s been massive rises in crime rates this week, muggings, gangs, vandalism …” He looked at her oddly, she understood, rape was the word he wasn’t saying. She lived alone and travelled alone a lot at night, rape, along with mugging and gangs were a big risk for her.
“Wouldn’t surprise me, people are growing insane, waiting for the next …” Now she couldn’t finish, but she knew he understood what she was saying. She was talking about the next Destroying, the Repetition.
“Who did you lose?” he asked.
“My sister, it was hard on my parents. What about you?” she asked.
“My Mum, after she left us Dad killed himself, and I ended up with Grandpa.”
Inna nodded, suicide was common during the Destroying; she’d seen some people do it, and it still gave her nightmares. “That was the worst part, the extra deaths, the people who died because of a reaction to the Destroying, not the Destroying itself.”
“Could have been a lot worse, at least we weren't in the sects," he pointed out, referring to a political system other countries had used with it's people, "I wonder when the next one will come?” he breathed, his voice soft.
“I don’t know, but something tells me that when it comes, rape will be the least of our worries.”
She looked out the window. Before the Destroying this city was one of the largest in the world. It was good, not a wreck, or a sparkling city of angels, but it was good. Until the Destroying came. Many towns were completely destroyed, burnt to ashes sometimes, or vandalised past any possible human habitation; people flocked to the cities. To find work, or be with loved ones or find treatments to the viruses that began spreading like wildfire after an accident in one of the hospitals. Inna’s mother had contracted one of those and had very nearly joined her daughter in the grave.
The city was thrown into poverty and chaos then the Rioting began. It was the darkest time in human history. Inna had come through it, but now she was a stray and a street rat, like so many countless others. Every day there were more people becoming homeless, joining gangs, sinking to the lowest of the low in society, and once there many people didn’t make it.
Now the hospitals only cared for people with identification, they have to check a person’s record before the even allow any patent to be treated. It was a security protocol that went in place after the toll began to build of people attacking hospitals; the other side was one nobody liked to talk about, the fact that the hospitals didn’t like having to treat so many people. They took the option that bought down the number of patients they’d have to treat. This meant Inna would probably never set foot in a hospital for the rest of her life. She lived on the streets with the gangsters and robbers, it was people like her that’d need the hospitals most of all.
She got sick a while ago and almost died because she couldn’t go to any hospital. She was stuck in a little room, with no bed and unable to get herself food, let alone medical tablets, for days. Thankfully she improved before she starved and recovered on her own in a few days, but it had been a scare, and not one she ever wanted to repeat.
She looked out on the rusty brown city again and wondered how on earth it could ever survive another Destroying.
She and Timothy hung out for a few hours after that. Timothy had money and took her down to one of the cafés for a cheep coffee each. They sat together and drunk, talking a bit about what Timothy would do with his free time now he had his Grandpa off his back for a while. One of these ideas was the passageways, in his new free time Timothy could properly teach Inna all the passages of the station.
“Sounds great,” she enthused. “How about we finish this then get started?”
Timothy agreed and upon finishing they left the café and spent the next hour getting Inna acquainted with several routes through the train-station for future usage. Inna enjoyed her time in the dark enclosed spaces, they felt strangely safe and cave like. Most of them were completely alien to her after an hour of learning a few had grown familiar. Then reality hit and it was time to get back to scavenging and being a stray.
After she left the train station she first decided to try looking around the nearby casino. She managed to sneak in quickly and started walking around scanning the red carpet floor. Loose change was what she usually found of course, but sometimes other things were dropped, she’d even take a pen or dropped chip if she saw it.
She spent an hour searching the floor and counters, but then saw some security guards heading her way and made a silent dash for the streets.
Back in her natural habitat she took her usual rounds around the allies, checking drains and looking in trash bins for money or discarded food. However nothing came close to last night’s score and eventually she had to give up on this too. Feeling desperate now she headed to the dump.
The dump was one of the riskiest places. Sneaking in was difficult, then there was sneaking out and not being caught in the mean time.
As always she lay in wait for a convenient vehicle heading into the facility and eventually truck came motoring her way, its inside filled with trash ready for the dump. It stopped at the gate to get in and she seized the opportunity.
Moving as a leopard she dashed to the back and jumped on to the bumper, here she leaped up grabbing the edge of the truck’s roof then she swung herself round and lay flat on the top. Here she breathed a second as a young man came around to check the cargo. They drove in without incident.
The truck would also serve as her escape once it left so she didn’t have a lot of time. While it was still moving she leapt off without being seen and made note watch it wherever it went. She could not afford to get stuck in here. She started foraging.
The dump wasn’t a place she visited often. Maybe when she could afford the time for extra luxuries, but that was rare and it wasn’t the case today. Today most of her hot spots had turned up nothing, she was bored and she needed to try something. Her hope was sometimes she could find good stuff here, even things that she could re-sell. It was a small hope but it was something.
She stated with one of the smaller piles, and going through she found a small pocketknife. She smiled, it was a great find to start with, it even looked sharp so she pocketed it thinking her luck might have turned again. She was right. Three dead watches showed up next, but even dead she knew an apprentice timekeeper who might fix one so she pocketed them too.
The truck driver took his time here and allowed her forty-five minutes of searching. By the end of this she’d found one knife, three cheep dead watches, a crow bar, a frayed white top with a small hole in the back and some old pencils. With this she was immensely pleased, if curious why se was always coming across white tops. She it on over her old top, hoping it’d at least improve her warmth, stuffed what she could in her pockets and grabbed the crow bar. Quietly, she then made her way back to the truck where her driver had stopped chatting. She tucked the crowbar uncomfortably into her pants then took a breath, waited for the correct moment, and leapt. She grabbed the edge of the roof. She couldn’t move right with the crowbar so she quickly grabbed it and waited for a noisy moment to shove it ahead of her. Then she took another breath and heaved the rest of herself atop the truck. She looked over, the driver hadn’t seen. A sigh of relief escaped her lips and she pressed herself down flat on the roof to leave. Five minutes later they had got out without incident, maybe a little smellier, but better for the trip.
She left the truck as soon as she could, but only to find herself on the wrong side of town. She gritted her teeth, unfamiliar territory was never good. She kept to the allies; a crowbar wouldn’t be fun explaining to any police or CSS (City Safety Sergeants) she might come across. The city grew dark around her; she’d been out too long. She needed to stay out of sight. She tried the rooftops for a while. It was cool and clear and the night air seemed colder then the night before, she only hooped she’d be able to sleep better tonight. As she came across the cold iron of the rooftops she could afford to feel no peace.
She remained on guard and edgy as she came across the high streets of the city, but still almost came into conflict with the infamous gang of the rooftops, The City Bats who watched from above to ambush those beneath. Spotting them she backtracked, moving silently away before retreating back to the streets.

Saturday, February 23, 2013

Character Profile

Character - Avian
From -The Order's Experiments


Avian is originally best friends and partners with Ellie as a trainee in the Order. She is a highly intelligent young girl with a high IQ. She is described as slender, pale, with natural white blond hair and crystal blue eyes, a 'snow queen' by description. She grows nervous and withdrawn as the book continues, presumably as a result of not coping as well as she'd hoped in the Order, so is assisted by Fallen in her martial arts and fighting skills to regain confidence. She's the quietest of the Order trainees and the least violent. She has a patient, kind and gentle disposition with a mild sense of humour. She's the person people seem the least bothered with, the most easily forgotten, but as she gains initiative she becomes her own woman.

Wednesday, February 20, 2013

The Distroying, Part 2

*A Station of Strays

When morning came Inna slipped out of her basement and quietly scampered through the streets untill she reached the train station. That massive, impending building, neo classic style, even through its weary age and scars from the torment of the Distroying, it had reamined a great land mark. It was wonderful, but for Inna it was also a gold mine. Full of busy, unsuspecting people with money for travelling, it was one of her prime scavenging spots.
She slipped inside and headed to one of the large halls where climbed the wall next to a large clock. She could hear the machinery working from behind the smooth face of the piece, but was enough in the shadow so as not to be noticed by those checking the time. She looked over the crowd and scanned the floors. Dropped change, food left unfinished in the café, her eyes darted left and right to see. She noticed a café getting crowded and darted down to watch. Sometimes people left things unfinished, so just as the opportunity arose she would snatch up the left over coffee, cake, pastry or cookie for herself. Next she would scour the floor looking for dropped notes, cards, anything she could see that might be of the slightest use she would slip in and steal. If she saw it, it was hers.
She watched over the people, by now she knew the layout of the train station and the train time table by heart. She noticed a café getting busy and climbed down to watch its movement. Inna knew how to blend, she knew how to remain unseen, so she let herself become invisible as she watched the people eat and chat, and if she was really lucky, leave their bags behind. Though she was against stealing and pickpocketing from regular people, anything left behind, by her books, was a free for all.
She walked through the tables to one recently abandoned. As she came past she collected a half-eaten pasty and a tip left behind in her stride. Successful, she kept walking unhindered and back out of the café area before she was noticed.
Back on her perch she ate her pastry gratefully. It wasn’t this bad, this life, she mused, when she had enough to eat that is. She smiled and casually looked over the station then something new, but extremely familiar caught her eye. Strays. A group of them, younger than her, were in the train station. They were not obvious as strays to the common eye, they didn’t even look like a group, but from her view up so high Inna could clearly their pattern while it remained invisible to the crowd. She could see them as they sneaked out amongst them, pick pocketing and snatching things off the ground. They stole what they could then took them back behind a corner to meet with the rest of the group. Inna crouched down and singled one out. There was a little girl, maybe eight years old as Inna watched her she noticed she was in the dangerous sight of one bulky-looking security guard.
She continued to watch and follow the girl through the crowd. She saw as one of her friends, a young boy, tugged on a woman’s sleeve and asked her if she knew where the toilets were? As the woman bent down to answer the girl came in from behind and slipped her hand into the woman’s bag. She drew out a fist full of stuff then stuffed the lot into her pockets. Inna watched as she slipped away back into the crowd and eased down the wall to follow her. 
Once in the crowd, Inna had to take a moment to find the young girl again. She watched her go round a corner and followed to the edge of the wall. There she stood with her back against the paint and listened as voices became from around the corner.
“Here!” hissed one, a female and young, probably the girl she’d been following.
“Set them down,” came another, male this time and a little older. “Anything good?” whispered another voice,
“Check later” - the boy again - “we need too much to waste time now.”
Inna risked a look round the bend, it was always smart to keep track of other strays in your area for many reasons, if nothing else they could be competition. She looked at who was there and counted four, the young girl she followed, the boy who’d distracted the older woman, an older boy and an older girl.
One of them, the older boy came started walking to the bend. She backed up to the café on her right and the younger boy walked past, followed by the young girl. They walked by leaving her unnoticed. 
They seemed to work mostly in pairs, Inna watched as they went around pick pocketing and stealing. They didn’t get much really, they were actually quite lacking, it was easy to see why they would run out of money and food so fast. But she wasn’t the only one who noticed their work. Looking up she saw the same security guard that had noticed the young girl earlier was now watching them all.
She lagged behind and blended into the crowd. She needed to observe without being seen herself. She tracked the young girl’s footsteps, watching the strain of her black hair from behind and she continued, oblivious towards to burly security. Ideally she would brush past the kid and whisper the quick warning, but now she watched in horror as she saw him head towards the kids and stood in even more alarm as they still failed to notice.
She started to manoeuvre her way back through the people towards them, but already the guard was much closer to the kids than she was. She waved at the young girl, but caught her friend’s attention. The young boy looked up, but when recognised Inna as a stray went hostile. It took a moment for him to register the desperate warning in Inna’s face then he looked round, only to see the security guard, was right on top of them, barely a foot from the young girl.
The boy grabbed her by the wrist and pulled, but it was too late. The guard leaned in and snatched up her other wrist. She looked up in sheer terror.
Inna asses her stand point as the girl started to struggle. The guard held her still and leaned in, “This isn’t a free for all, rat. Come with me.” He turned to drag her away then - “Ugh!” Inna felt the contact too, her fist and his ribs. She winced, punching hurt! She didn’t waste time, she grabbed the girl and pulled her away through the crowd, trying to mingle before he could spot them again. Only now the burly man was pissed, perhaps because now his ribs hurt. Inna wondered if she'd bruised any.
He started through the people after them, navigating through the crowd. She took a fleeting glance back at the purpling face and quickened their pace, “Come on!” she urged her tag-along. She cursed under her breath and pulled the girl again, “Quick! I’m not getting locked up for you,” she hissed. She dodged and drove through the herds of people until she spotted a dark corner. She smiled, shadows always invited the strays. She took one look back, ducked down and dove to their familiar folds.
She stood up and pressed herself and the girl against the wall, wishing her flesh would disappear into the stone. Then she peered out to look for the guard. She heard the girl gasp, about to say something, and pressed her hand over her mouth. Her dark eyes looked for him, tried to single out possible peoples in the crowds. When she singled out his frame he wasn’t six meters away. He stood above everyone, scouring around above their heads, searching for the two kids he had just lost. Inna held her breath. She surveyed the space around him again and waited. Only when he’d walked completely from her sight did she breath again.
She removed her hand from the girl and she looked up at Inna. “Who are you?” was of course the first question.
“Inna.” The girl looked up at her suspiciously.
She shook her head, “Don’t worry, I won’t turn you in.” The kid didn’t replay, “Hey, I’m a stray too. I’m not going to walk you to the authorities,” she pointed out.
This seemed to settle the kid. “Well, duh. I could see that by the way you hit that guard,” her voice was amazingly condescending for one so young, “thanks, it would have been a close call without you.”
A close call? She raised an eyebrow, seemed to her like ‘close call’ would be a bit of an understatement.
“Don’t I get your name?” Inna asked.
“I guess, Yumie’s fine.”
“Yumie? That’s what, Japanese?” 
“Yeah, what's your name again?"
"Inna."
Silence.
Yumie was dirty, with ashen brown-black hair and a stubborn face which, Inna realised, did look part Asian. “Look, you’d better get back to your group,” she said.
“Well yeah, though I guess you should come meet the others.”
Inna glanced down suspiciously “For allies or competition?”
Yumi’s gaze turned hard, “Depends on circumstances."
“Well, either way, for now it’s a no, I’ve got to go, trailing after you has lost me enough time today, and I still need to eat.” She made to leave.
“But that guard knows your face now, he’ll be after you.”
Inna sighed, “Well that’ll fun.”
Yumi looked confused, whether it was because of her sarcasm or lack of major concern about the guard, Inna couldn’t pick. She sighed, “Don’t worry about it; I can take care of myself.”
Yumi shrugged, and Inna, tired of the brick wall of distrust, made again to leave.
She started up the wall shelf up to her perching point once more. She could see the security guard clearly from up here and smiled at the expression on his face. It was then that she heard a “Pist!” and turned around, “Hay! Inna.” 
The male voice came from behind her in the wall, she smiled.
“Timothy!”